Material: Brass
Style: Palembang, Sumatra, Indonesia
Size: Length 22 cm, Width 10.5 cm
Order Number: TACD1

The waist buckle (pending) was a part of Malay ceremonial dress and displayed the wearer’s social status, worn mostly by men, but occasionally by women, above the navel, with a cloth sash and belt to hold up the sarong, at ceremonial events, especially weddings. The back had a clasp attached to the belt and it was shaped like a lozenge, usually with pointed ends.

The buckle was made of brass, silver or gold. Royalty wore gold buckles decorated with precious stones. Rich, but non-royal people, wore silver. The rest wore brass.

The idea probably came from the Ottoman Empire, which traded with  the Sultan of Aceh and other sultans in the area.

Typically the pattern is a central circle, with surrounding  foliate motifs, all within an outer border at the edge of the buckle. The central eye may be a talisman to ward off the evil eye, the very central part resembling the pupil.

The Mingangkabau people live in the inland mountainous regions and hills and plains around Padang on the west coast of Sumatra. They claim descent from Alexander the Great. They are one of the world’s few matrilinear societies. Women inherit titles of nobility, houses and rice fields. It is also deeply Islamic.

Ceremonies are important and frequent, and magnificent ceremonial dress is worn. Islam began to spread into Sumatra in the late 13th century and the influence is seen in the arabesques and foliage.

There are many examples in Malay Silver and Gold, Courtly Splendour from Indonesia, Malayasia, Singapore, Brunei and Thailand, Michael Backman, River Books, 2024, pages 214-223.

The chapter entitled Malay Waist Buckles, Allegories of Paradise, says at page 216, ‘Almost all are chased and engraved with motifs which can be interpreted as a stylised version of Paradise. This is a new way of looking at the iconography of the Malay buckle, but it is entirely plausible. Vegetation and gardens are all redolent of light, and for many Muslims, light is an extension of God, while vegetation and gardens  – so dependent on light – are by implication an extension.’

Early 20th century.

Please ask for the price (or make an offer).

The post Antique Sumatran Belt Buckle 1 appeared first on Murni's in Bali.

Material: Gold
Style: Palembang, Sumatra, Indonesia
Size: Length 15.5 cm, Width 8.5 cm
Order Number: TACD2

The waist buckle (pending) was a part of Malay ceremonial dress and displayed the wearer’s social status, worn mostly by men, but occasionally by women, above the navel, with a cloth sash and belt to hold up the sarong, at ceremonial events, especially weddings. The back had a clasp attached to the belt and it was shaped like a lozenge, usually with pointed ends.

The buckle was made of brass, silver or gold. Royalty wore gold buckles decorated with precious stones. Rich, but non-royal people, wore silver. The rest wore brass.

The idea probably came from the Ottoman Empire, which traded with  the Sultan of Aceh and other sultans in the area.

Typically the pattern is a central circle, with surrounding  foliate motifs, all within an outer border at the edge of the buckle. The central eye may be a talisman to ward off the evil eye, the very central part resembling the pupil.

The Mingangkabau people live in the inland mountainous regions and hills and plains around Padang on the west coast of Sumatra. They claim descent from Alexander the Great. They are one of the world’s few matrilinear societies. Women inherit titles of nobility, houses and rice fields. It is also deeply Islamic.

Ceremonies are important and frequent, and magnificent ceremonial dress is worn. Islam began to spread into Sumatra in the late 13th century and the influence is seen in the arabesques and foliage.

There are many examples in Malay Silver and Gold, Courtly Splendour from Indonesia, Malayasia, Singapore, Brunei and Thailand, Michael Backman, River Books, 2024, pages 214-223.

The chapter entitled Malay Waist Buckles, Allegories of Paradise, says at page 216, ‘Almost all are chased and engraved with motifs which can be interpreted as a stylised version of Paradise. This is a new way of looking at the iconography of the Malay buckle, but it is entirely plausible. Vegetation and gardens are all redolent of light, and for many Muslims, light is an extension of God, while vegetation and gardens  – so dependent on light – are by implication an extension.’

Early 20th century.

Please ask for the price (or make an offer).

The post Antique Sumatran Belt Buckle 2 appeared first on Murni's in Bali.

Material: Brass, niello
Style: Palembang, Sumatra, Indonesia
Size: Length 19.5 cm, Width 11 cm
Order Number: TACD3

The waist buckle (pending) was a part of Malay ceremonial dress and displayed the wearer’s social status, worn mostly by men, but occasionally by women, above the navel, with a cloth sash and belt to hold up the sarong, at ceremonial events, especially weddings. The back had a clasp attached to the belt and it was shaped like a lozenge, usually with pointed ends.

The buckle was made of brass, silver or gold. Royalty wore gold buckles decorated with precious stones. Rich, but non-royal people, wore silver. The rest wore brass.

The idea probably came from the Ottoman Empire, which traded with  the Sultan of Aceh and other sultans in the area.

Typically the pattern is a central circle, with surrounding  foliate motifs, all within an outer border at the edge of the buckle. The central eye may be a talisman to ward off the evil eye, the very central part resembling the pupil.

The Mingangkabau people live in the inland mountainous regions and hills and plains around Padang on the west coast of Sumatra. They claim descent from Alexander the Great. They are one of the world’s few matrilinear societies. Women inherit titles of nobility, houses and rice fields. It is also deeply Islamic.

Ceremonies are important and frequent, and magnificent ceremonial dress is worn. Islam began to spread into Sumatra in the late 13th century and the influence is seen in the arabesques and foliage.

There are many examples in Malay Silver and Gold, Courtly Splendour from Indonesia, Malayasia, Singapore, Brunei and Thailand, Michael Backman, River Books, 2024, pages 214-223.

The chapter entitled Malay Waist Buckles, Allegories of Paradise, says at page 216, ‘Almost all are chased and engraved with motifs which can be interpreted as a stylised version of Paradise. This is a new way of looking at the iconography of the Malay buckle, but it is entirely plausible. Vegetation and gardens are all redolent of light, and for many Muslims, light is an extension of God, while vegetation and gardens  – so dependent on light – are by implication an extension.’

Niello was a specialty. The metalwork is very fine. Niello is the process whereby decorative patterns are cut into the front surface of the silver. The black amalgam of lead, copper, silver and sulphur in powder form is fused by heating on to the silver object. The designs are added and appear in silver on the black surface. The final step is to attach the object to a lathe to turn it so that it can be cleaned.  Polishing with sandpaper  helps create a smooth surface of black and silver.

The word ‘niello’ comes from the Latin nigellus meaning ‘dark’. Nielloware is admired for its complexity  and quality.

Sumatran niello often has a very grey color and great sheen because there is a high silver content.

Niello buckles were worn by the Malays in Sumatra, the Peninsula and the Minangkabau, and were made by them too.

Niello work was carried out in Sumatra until the early 20th century, but very little is produced now.

Early 20th century.

Please ask for the price (or make an offer).

The post Antique Sumatran Belt Buckle 3 appeared first on Murni's in Bali.

Material: Brass, gold-plate
Style: Palembang, Sumatra, Indonesia.
Size: Length 18 cm, Width 9 cm
Order Number: TACD4

The waist buckle (pending) was a part of Malay ceremonial dress and displayed the wearer’s social status, worn mostly by men, but occasionally by women, above the navel, with a cloth sash and belt to hold up the sarong, at ceremonial events, especially weddings. The back had a clasp attached to the belt and it was shaped like a lozenge, usually with pointed ends.

The buckle was made of brass, silver or gold. Royalty wore gold buckles decorated with precious stones. Rich, but non-royal people, wore silver. The rest wore brass.

The idea probably came from the Ottoman Empire, which traded with  the Sultan of Aceh and other sultans in the area.

Typically the pattern is a central circle, with surrounding  foliate motifs, all within an outer border at the edge of the buckle. The central eye may be a talisman to ward off the evil eye, the very central part resembling the pupil.

Ceremonies are important and frequent, and magnificent ceremonial dress is worn. Islam began to spread into Sumatra in the late 13th century and the influence is seen in the arabesques and foliage.

There are many examples in Malay Silver and Gold, Courtly Splendour from Indonesia, Malayasia, Singapore, Brunei and Thailand, Michael Backman, River Books, 2024, pages 214-223.

The chapter entitled Malay Waist Buckles, Allegories of Paradise, says at page 216, ‘Almost all are chased and engraved with motifs which can be interpreted as a stylised version of Paradise. This is a new way of looking at the iconography of the Malay buckle, but it is entirely plausible. Vegetation and gardens are all redolent of light, and for many Muslims, light is an extension of God, while vegetation and gardens  – so dependent on light – are by implication an extension.’

Early 20th century.

Please ask for the price (or make an offer).

The post Antique Sumatran Belt Buckle 4 appeared first on Murni's in Bali.

Material: Brass
Style: Palembang, Sumatra, Indonesia.
Size: Length 16.5 cm, Width 10 cm
Order Number: TACD5

The waist buckle (pending) was a part of Malay ceremonial dress and displayed the wearer’s social status, worn mostly by men, but occasionally by women, above the navel, with a cloth sash and belt to hold up the sarong, at ceremonial events, especially weddings. The back had a clasp attached to the belt and it was shaped like a lozenge, usually with pointed ends.

The buckle was made of brass, silver or gold. Royalty wore gold buckles decorated with precious stones. Rich, but non-royal people, wore silver. The rest wore brass.

The idea probably came from the Ottoman Empire, which traded with  the Sultan of Aceh and other sultans in the area.

Typically the pattern is a central circle, with surrounding  foliate motifs, all within an outer border at the edge of the buckle. The central eye may be a talisman to ward off the evil eye, the very central part resembling the pupil.

Ceremonies are important and frequent, and magnificent ceremonial dress is worn. Islam began to spread into Sumatra in the late 13th century and the influence is seen in the arabesques and foliage.

There are many examples in Malay Silver and Gold, Courtly Splendour from Indonesia, Malayasia, Singapore, Brunei and Thailand, Michael Backman, River Books, 2024, pages 214-223.

The chapter entitled Malay Waist Buckles, Allegories of Paradise, says at page 216, ‘Almost all are chased and engraved with motifs which can be interpreted as a stylised version of Paradise. This is a new way of looking at the iconography of the Malay buckle, but it is entirely plausible. Vegetation and gardens are all redolent of light, and for many Muslims, light is an extension of God, while vegetation and gardens  – so dependent on light – are by implication an extension.’

Early 20th century.

Please ask for the price (or make an offer).

The post Antique Sumatran Belt Buckle 5 appeared first on Murni's in Bali.