Material: Wood
Style: Nias, North Sumatra, Indonesia
Size: Height 65 cm, Width 20 cm
Order Number: MHSANAF2

80-90 years.

Nias is an island located off the western coast of North Sumatra, Indonesia. Until the arrival of the Dutch Nias had one of the most vibrant warrior cultures of the Indonesian archipelago and their wooden ancestor figures have a distinctive style. Spirits of the dead possessed supernatural powers, which could influence the living in good or bad ways.

Ancestor images called adu zatua were made shortly after death. When the carving was finished, the deceased’s spirit was invited to dwell in the statue with ceremonies performed by a priest, who told the eldest son that his parent had returned to the house. The figure was collectively owned by all the descendants, but it was the duty of the son to make sure that all the ritual food offerings were given. The statues were usually tied to the right hand wall of the main room in the house and as people died new figures were added.

Females had a pair of earrings and males had one.

Most are nude with genitals, so that the gender is obvious, except for some in Central Nias, which are hermaphrodite and are usually standing. Those in North and South are more naturalistic, while those in Central Nias are angular. The aristocratic ones have tall crowns, pendant earrings, necklaces and bracelets. They were passed down from generation to generation.

They vary in size from 20 cm to 200 cm or higher and many were crammed into houses on the floor and on altars, hung from roof beams and placed on beams. Many were believed to hold the souls of the ancestors. Their purpose was to give fertility to humans and animals, provide protection and avert illness. The grander ones were for aristocratic families. They were given offerings and sacrifices, especially before headhunting or warrior raids.

Christian missionaries destroyed many ancestor figures in the late 19th and early 20th centuries.

This statue is a nobleman wearing a crown – it’s a distinctive style from South Nias that he sits on a stool of honour and holds a libation bowl in both hands on his knees. His fine moustache and goatee denote respect – rare attributes in this ethnic group. Facial hair was prized as a symbol of masculinity. His arching eyebrows emphasise his almond eyes. He is nude apart from jewelry, a massive teardrop earring, necklace and bracelet.

Please ask for the price (or make an offer).

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Material: Wood
Style: Central Nias, North Sumatra, Indonesia
Size: Height 80 cm, Width 15 cm
Order Number: MHSANAF3

80-90 years.

Nias is an island located off the western coast of North Sumatra, Indonesia. Until the arrival of the Dutch Nias had one of the most vibrant warrior cultures of the Indonesian archipelago and their wooden ancestor figures have a distinctive style.

Most are nude with genitals, so that the gender is obvious, except for some in Central Nias, which are hermaphrodite and are usually standing. Those in North and South are more naturalistic, while those in Central Nias are angular. The aristocratic ones have tall crowns, pendant earrings, necklaces and bracelets. They were passed down from generation to generation.

They vary in size from 20 cm to 200 cm or higher and many were crammed into houses on the floor and on altars, hung from roof beams and placed on beams. Many were believed to hold the souls of the ancestors. Their purpose was to give fertility to humans and animals, provide protection and avert illness. The grander ones were for aristocratic families. They were given offerings and sacrifices, especially before headhunting or warrior raids.

Christian missionaries destroyed many ancestor figures in the late 19th and early 20th centuries.

The most distinctive god statues are called adu horo. They have forked headdresses and are armless with large erect penises. They were consulted when blood had to be shed, as in war, murder and hunting.

He is standing. His arching eyebrows emphasise his eyes. He has pursed lips, beard, pectorals, cone-like nipples and knobly knees. He is nude apart from jewelry, a massive earring on his right ear and a coconut shell necklace called a kalabubu worn by headhunters. Capturing a head was an essential requirement of manhood and showed the young man was an eligible bachelor.

There is a kalabubu in the Mandala Collection,  shown in Nias Sculpture, Achim Sibeth and Bruce Carpenter, Red and White Publishing, 2013 on page 254

Please ask for the price (or make an offer).

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Material: Wood
Style: South Nias, North Sumatra, Indonesia
Size: Left – male – Height 115 cm, Width 28 cm, Diameter 35 cm;  Right – female – Height 115 cm, Width 29 cm, Diameter 27 cm
Order Number: MHSANAF1

Click on the photo to see the ancestor figures.

40-50 years.

Nias is an island located off the western coast of North Sumatra, Indonesia. Until the arrival of the Dutch Nias had one of the most vibrant warrior cultures of the Indonesian archipelago and their wooden ancestor figures have a distinctive style. Spirits of the dead possessed supernatural powers, which could influence the living in good or bad ways.

Ancestor images called adu zatua were made shortly after death. When the carving was finished, the deceased’s spirit was invited to dwell in the statue with ceremonies performed by a priest, who told the eldest son that his parent had returned to the house. The figure was collectively owned by all the descendants, but it was the duty of the son to make sure that all the ritual food offerings were given. The statues were usually tied to the right hand wall of the main room in the house and as people died new figures were added.

Most are nude with genitals, so that the gender is obvious, except for some in Central Nias, which are hermaphrodite and are usually standing. Those in North and South are more naturalistic, while those in Central Nias are angular. The aristocratic ones have tall crowns, pendant earrings, necklaces and bracelets. They were passed down from generation to generation.

They vary in size from 20 cm to 200 cm or higher and many were crammed into houses on the floor and on altars, hung from roof beams and placed on beams. Many were believed to hold the souls of the ancestors. Their purpose was to give fertility to humans and animals, provide protection and avert illness. The grander ones were for aristocratic families. They were given offerings and sacrifices, especially before headhunting or warrior raids.

Christian missionaries destroyed many ancestor figures in the late 19th and early 20th centuries.

This pair are from South Nias – it’s a distinctive style that they squat or sit on a stool of honour and hold a cup on their knees. The stool is not articulated in these pieces but merely suggested by a low post that supports the figure at the back.

Please ask for the price (or make an offer).

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Material: Burlwood
Style: Burma (Myanmar)
Size: Length 21 cm, width 12.5 cm, height 13.5 cm
Order Number: MHSW2

70-80 years old.

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Material: Wood, paint, detachable wings
Style: Bali
Size: L: 48 cm
Order Number: BMFA1MH

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The post Flying Angel 1 appeared first on Murni's in Bali.

Material: Wood, paint, detachable wings
Style: Bali
Size: L: 39 cm
Order Number: BMFA2MH

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The post Flying Angel 2 appeared first on Murni's in Bali.

Material: Wood, paint, detachable wings
Style: Bali
Size: L: 43 cm
Order Number: BMFA5MH

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The post Flying Animal appeared first on Murni's in Bali.

Material: Wood, paint, detachable wings
Style: Bali
Size: L: 27 cm
Order Number: BMFA3MH

Please ask for the price (or make an offer).

The post Flying Baby appeared first on Murni's in Bali.

Material: Wood, paint, detachable wings
Style: Bali
Size: L: 56 cm
Order Number: BMFA4MH

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